Music 151 quiz: melodic, voice leading, and chord construction issues in four-part writing

KEY      

 

 

 

Melodic and voice leading issues (at least 5)

Chord construction issues (at least 3)

·         Use a good mixture of motion between voice pairs: parallel, similar, oblique, contrary.

·         Stepwise motion prevails

·         Skips >4ths tend to be recovered by step or 3rd in opposite direction

·         Avoid leaps of 6ths and 7ths in bass

·         Avoid augmented melodic skips (A2 and A4)

·         Avoid parallel perfect 1s/8ves and 5ths/12ths

·         Avoid contrary 5ths and 8ves

·         Avoid similar 5ths between S and B

·         Spacing: <=8ve between S/A and between A/T. Bass and tenor (B/T) may be farther apart.

·         Avoid voice crossing (where one part crosses above or below an adjacent voice).

·         Double stable elements of a chord. Consonant triads: norm = root. Diminished triads: norm = 3rd. 1st-inversion triads: norm = S. Other possibilities exist.

·         Never double an active tone like the LT, chord 7th, or a chromatically-altered tone.

·         If a triad or7th chord is incomplete, leave out 5th and double the root.

·         Inverted 7th chords should be complete.

·         Make sure your inversion symbols (FB) are accurate and that you have realized the FB correctly.